JASON WHEATLEY: LANGUAGE OF THE BIRDS

Gilman Contemporary

In Jason Wheatley’s first solo exhibition at Gilman Contemporary, "Language of the Birds" features surreal and dreamlike still life paintings that explore our relationship with fantastical ideas and recognizable imagery. Embracing the illustrative style of John James Audubon and his famed “Birds of America” series, Wheatley deploys realist and absurdist sensibilities to each still life. Filled with metaphor and riddles, each canvas demonstrates a contemporary sense of humor and folly. Through repetition and practice, Wheatley paints from both memory and life. The oddities that are found in his paintings are a counterbalance the classical renderings in oil.

James Austin Murray: On the Return

Gilman Contemporary

"On the Return" features new works from painter James Austin Murray who continues to demand that we put aside preconceived perceptions of light and dark and explore their evolving role in our lives. Murray rakes, scrapes, and physically moves his thickly applied jet-black paint, making the flat surface expand, contract, ripple, and pulse. Each painting is informed by years of innovative, intentional practice that is tempered by the fickle nature of wet oil paint. Murray’s ability to create an infinite possibility with paint and canvas is one that belies the limitation of material. The simplicity creates a visual complexity that can only be experienced when standing in front of one of his paintings. With each painting, we are given a glimpse into Murray’s artistic and material perspective.

Free

Gallery Walk: Language of the Birds, Whimsical Still Life Paintings by Jason Wheatley

Gilman Contemporary

Jason Wheatley’s first solo exhibition, "Language of the Birds", features surreal and dreamlike still life paintings that explore our relationship to fantastical ideas and recognizable imagery. Embracing the illustrative style of John James Audubon’s famed avion paintings, Wheatley deploys realist and absurdist sensibilities to each still life. Filled with metaphor and riddles, each canvas demonstrates a contemporary sense of whimsey, wit and folly. "I dabble in the absurd and make it accessible and beautiful at the same time. I want people to feel like they have stumbled onto a riddle. The don’t have to figure it out, just know that something is taking place." -Jason Wheatley Artist in Attendance.

Free

Flavia Junquiera: The Absurd and the Grace

Gilman Contemporary

Brazilian artist Flávia Junquiera crafts poetic photographs that beautifully blend monumental architecture with the fleeting nature of childhood. Her meticulously staged, site-specific compositions are both whimsical and evocative. Picture grand theaters adorned with balloons, a solitary carousel horse amidst an ornate library, and bubbles drifting over Rio de Janeiro's Parque Lage. Infused with innocence and joy, Junquiera creates a fantastical universe that resonates with childhood memories. Each photograph not only captures an installation but also celebrates the lightness and brightness of the unexpected.

Free

Gallery Walk: Flavia’s Junquiera – The Absurd and the Grace

Gilman Contemporary

Brazilian artist Flávia Junquiera’s poetic photographs pay homage to monumental architecture and the ephemeral essence of childhood. Dreamlike and playful, Junquiera creates carefully staged site-specific installations and then captures them on film. Imagine grand theaters filled with balloons, a lone and riderless carousel horse intruding upon an ornate library, balloons and bubbles littering the grounds and floating above Rio de Janeiro’s Parque Lage. Infused with a sense of wonder, Junquiera captures a nostalgic vision that dwells in the magical realm of childhood. Each photograph not only commemorates an installation but also celebrates the lightness and brightness of the unexpected.

Free

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