Preservation Hall Jazz Band’s mission is to preserve the extraordinary music that evolved in New Orleans around the turn of the century and to bring that music to contemporary audiences. Individually, these musicians represent the industry’s elite, and collectively, they keep alive the traditions of this uniquely American sound. Known for their high energy, crowd-pleasing performances, Preservation Hall Jazz Band has been described by music critics as “the best jazz band in the land.” The Argyros is thrilled to partner with our friends from “Pres Hall” for a unique three night musical journey, the likes of which you’d be hard pressed to find in New Orleans, New York, or anywhere else. The band will play three entirely different shows, and each night the Tierney Theater will be transformed to match the feel of that show’s musical mood. Night one will be a traditional seated concert, featuring many of the beloved Big Easy jazz standards that have made Preservation Hall and the “N’awlins Sound” famous around the world. On night two, the Tierney Theater will be converted into a cabaret-style jazz nightclub, and the song selection will match that more intimate setting. Finally, night three will be a red-hot jazz dance …
Escaped Alone
Three old friends and a neighbor. A summer of afternoons in the back yard. Tea and catastrophe. Caryl Churchill’s convention-defying play juxtaposes backyard tea with environmental disaster, exploring themes of politics, crisis, communication and female endurance. Featuring: Kathy Wygle Danielle Kennedy Claudia McCain Sara Morsey
Salsa Dancing! (No Experience needed)
Keep the party going after Ketchum Alive with Salsa Dancing! Two left feet? No worries! Our talented instructors will lead you through a number of basics steps to the beat of favorite latin classics. $10 to participate . Free to spectate! Join us every Tuesday in July ! 9pm-Late 21+ $10 Whiskey’s on Main 251 N Main Street, Ketchum, ID
BODYTRAFFIC
BODYTRAFFIC returns to the Argyros with an all new program including the Sun Valley premiere of I Forgot The Start by acclaimed choreographer Matthew Neenan. This inspired piece was created while in residency at The Argyros last summer. “Neenan dives into such complexities with utter sincerity, then adds touches of whimsy that cohere into a resonant work…I Forgot The Start [includes] songs by Sinéad O’Connor, Ozzie Kotani and Daniel Ho, and Sufjan Stevens that—like the dance itself—convey a sensory meditation on disconnection, connection, and perseverance.” Melissa Strong, Broad Street Review Additional repertory includes The Act Of Becoming, an energetic homage to Maurice Ravel’s iconic Boléro by Fernando Hernando Magadan, and Bloquea’o by BODYTRAFFIC’s own Joan Rodriguez, with original music by Pedro Osuna that blends traditional Cuban rhythms and live percussion accompaniment by Ricky Matute.
BODYTRAFFIC
BODYTRAFFIC returns to the Argyros with an all new program including the Sun Valley premiere of I Forgot The Start by acclaimed choreographer Matthew Neenan. This inspired piece was created while in residency at The Argyros last summer. “Neenan dives into such complexities with utter sincerity, then adds touches of whimsy that cohere into a resonant work…I Forgot The Start [includes] songs by Sinéad O’Connor, Ozzie Kotani and Daniel Ho, and Sufjan Stevens that—like the dance itself—convey a sensory meditation on disconnection, connection, and perseverance.” Melissa Strong, Broad Street Review Additional repertory includes The Act Of Becoming, an energetic homage to Maurice Ravel’s iconic Boléro by Fernando Hernando Magadan, and Bloquea’o by BODYTRAFFIC’s own Joan Rodriguez, with original music by Pedro Osuna that blends traditional Cuban rhythms and live percussion accompaniment by Ricky Matute.
Andy Mister: Sonnets
OCHI is pleased to present Sonnets, a solo exhibition of new paintings by New York-based artist Andy Mister. This is Mister’s debut solo presentation at the gallery. Sonnets will be on view at OCHI, located at 119 Lewis Street in Ketchum, Idaho from July 13 through August 17, 2024. Andy Mister’s paintings of cut flowers in water-filled vessels merge the ephemerality of traditional drawing techniques with the physicality of painting. Mister’s paintings are intimate, both small in stature and also offering insight into the personal nature of the work—Mister recently moved with his wife and their two young children to a town near the Susquehanna River in upstate New York, a change of pace from city life. Immersed in the outdoors, Mister watches his children navigate the natural world with curiosity and joy. While previous paintings relied on found imagery, the paintings in Sonnets are all based on real flower arrangements made by all members of the Mister family. The artist’s kids choose flowers at the local farmer’s market and place them around the house in whatever vessel they can find—a jam jar used for turpentine, a glass left behind, or a small vase bought secondhand. Nodding to the late …
James Chronister: And we are green…
OCHI is pleased to present And we are green, greener than the hill, where flowers grow and the sun shines still, a solo exhibition of new paintings by Montana-based artist James Chronister. This marks Chronister’s debut solo presentation with the gallery. The exhibition will be on view at OCHI, located at 119 Lewis Street in Ketchum, Idaho from July 13 through August 17, 2024. And we are green, greener than the hill, where flowers grow and the sun shines still features James Chronister’s deeply intricate, monochromatic landscape paintings. Composing straight on images of dense winter forests, close ups of individual leaves, and aerial images of flora, Chronister begins his process by photographing the environment surrounding his home in Missoula, Montana. After digitally distorting contrast, focus, and tones, Chronister moves from computer to canvas where minuscule individual marks reveal scrupulous technical application. Onto a white or carefully hued off-white background, Chronister meticulously recreates source photographs by repeatedly applying, shaping, and erasing black oil paint. Precise dry brushing and stippling techniques achieve texture, depth, and refinements of form. As painter Jake Longstreth remarks, “Chronister achieves a startling range of tonality and depth. Viewed up-close, the paintings are constructed by a series of …
James Chronister: Artist Walkthrough and Reception
OCHI is pleased to present ‘And we are green, greener than the hill, where flowers grow and the sun shines still,’ a solo exhibition of new paintings by Montana-based artist James Chronister. This marks Chronister’s debut solo presentation with the gallery. The exhibition will be on view at OCHI, located at 119 Lewis Street in Ketchum, Idaho from July 13 through August 17, 2024. An Artist’s Reception will be held on Saturday, July 13th from 5:00 – 7:00 PM MDT. And we are green, greener than the hill, where flowers grow and the sun shines still features James Chronister’s deeply intricate, monochromatic landscape paintings. Composing straight on images of dense winter forests, close ups of individual leaves, and aerial images of flora, Chronister begins his process by photographing the environment surrounding his home in Missoula, Montana. After digitally distorting contrast, focus, and tones, Chronister moves from computer to canvas where minuscule individual marks reveal scrupulous technical application. Onto a white or carefully hued off-white background, Chronister meticulously recreates source photographs by repeatedly applying, shaping, and erasing black oil paint. Precise dry brushing and stippling techniques achieve texture, depth, and refinements of form. As painter Jake Longstreth remarks, “Chronister achieves a …
WORKSHOP: Environmental Portrait Photography WITH OLIVER GUY
Explore the intersection of landscape photography with portraiture. Learn about camera settings, making lens choices and using natural light to compose powerful landscape photographs and environmental portraits. The two-day workshop will consist of classroom instruction and a location shoot allowing participants the opportunity to practice their photography skills, learn the basics of editing, and engage in the post-production process. Students will need: Camera (ideally DSLR or Mirrorless with wide angle lens and low aperture) A wide-angle lens and a telephoto lens (70-200mm) recommended, if available Tripod Remote Timer Laptop for editing (Digital editing software, not required) Age & ability: 17+, basic knowledge of how to operate your camera in manual mode; advanced photography skills not required. THIS 2-SESSION WORKSHOP TAKES PLACE SAT & SUN, SEP 14 & 15, 10AM–5PM, AT THE HAILEY CLASSROOM.
WORKSHOP: Botanical Cyanotypes WITH ASHLEY LARSON
Delve into the alternative photography process of cyanotypes and learn about their historical role in botanical illustrations. In this workshop, participants will coat paper with light-sensitive chemicals and choose from an array of natural materials to compose their own work of art. Watch as sun exposure transforms the compositions and brings the cyanotypes life. Each participant will leave with knowledge of the technical aspects of cyanotype creation and their own unique and captivating piece of botanical art. Students are encouraged to bring their own natural objects for making cyanotypes. This workshop will include paper coating during the workshop rather than using pre-coated paper. Age & ability: 16+, beginners welcome! THIS WORKSHOP TAKES PLACE FROM 1–4PM AT SVMOA’S HAILEY CLASSROOM. ABOUT THE INSTRUCTOR Ashley Larson is an interdisciplinary artist based in Boise, Idaho. She has a love for photography, drawing, painting, and sculpture. Currently, she creates works focused on domestic spaces and personal memory. $50 member, $75 nonmember