In Thai Mainhard’s exhibition "Off the Ground" vibrant, frenetic colors are collaged, painted, and drawn onto canvases that show a sense of composition and experience. Born and raised in Rio de Janeiro, Brazil and based in Los Angeles, California, Mainhard’s personal exploration of place seeps into each of her paintings. In her newest body of work Mainhard embraces tangible objects through an exploration of the composed still life. Expressively rendered maximalist spaces are filled with swatches of bright color, checkered table clothes, and patterned vases of loosely rendered botanicals offer a lingering invitation. These composed paintings are the physical embodiment of the artists internal world and life experience, harnessing the tension between chaos and order, figurative composition, and expressive abstraction.
In Thai Mainhard’s exhibition "Off the Ground" vibrant, frenetic colors are collaged, painted, and drawn onto canvases that show a sense of composition and experience. Born and raised in Rio de Janeiro, Brazil and based in Los Angeles, California, Mainhard’s personal exploration of place seeps into each of her paintings. In her newest body of work Mainhard embraces tangible objects through an exploration of the composed still life. Expressively rendered maximalist spaces are filled with swatches of bright color, checkered table clothes, and patterned vases of loosely rendered botanicals offer a lingering invitation. These composed paintings are the physical embodiment of the artists internal world and life experience, harnessing the tension between chaos and order, figurative composition, and expressive abstraction.
In Thai Mainhard’s exhibition "Off the Ground" vibrant, frenetic colors are collaged, painted, and drawn onto canvases that show a sense of composition and experience. Born and raised in Rio de Janeiro, Brazil and based in Los Angeles, California, Mainhard’s personal exploration of place seeps into each of her paintings. In her newest body of work Mainhard embraces tangible objects through an exploration of the composed still life. Expressively rendered maximalist spaces are filled with swatches of bright color, checkered table clothes, and patterned vases of loosely rendered botanicals offer a lingering invitation. These composed paintings are the physical embodiment of the artists internal world and life experience, harnessing the tension between chaos and order, figurative composition, and expressive abstraction.
Sink/Rise continues photographer Nick Brandt’s series “The Day May Break” which eloquently captures communities who are affected by environmental destruction. The local people in these photos, photographed underwater off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. “Although they are several meters below the surface, the subjects of Brandt’s mesmerizing photographs do not float or swim. Incredibly, they sit on sofas, stand on chairs, use seesaws, and pose in ways they might on land. The effect is otherworldly, as though the familiar laws of physics have stalled in this strange, liminal zone between land and sea.” (Zoe Lescaze) The artist himself will further illuminate his creative process and the ethos behind "Sink / Rise" during a speaking engagement at The Community Library in Ketchum, ID, on July 11.
Sink/Rise continues photographer Nick Brandt’s series “The Day May Break” which eloquently captures communities who are affected by environmental destruction. The local people in these photos, photographed underwater off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. “Although they are several meters below the surface, the subjects of Brandt’s mesmerizing photographs do not float or swim. Incredibly, they sit on sofas, stand on chairs, use seesaws, and pose in ways they might on land. The effect is otherworldly, as though the familiar laws of physics have stalled in this strange, liminal zone between land and sea.” (Zoe Lescaze) The artist himself will further illuminate his creative process and the ethos behind "Sink / Rise" during a speaking engagement at The Community Library in Ketchum, ID, on July 11.
Sink/Rise continues photographer Nick Brandt’s series “The Day May Break” which eloquently captures communities who are affected by environmental destruction. The local people in these photos, photographed underwater off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. “Although they are several meters below the surface, the subjects of Brandt’s mesmerizing photographs do not float or swim. Incredibly, they sit on sofas, stand on chairs, use seesaws, and pose in ways they might on land. The effect is otherworldly, as though the familiar laws of physics have stalled in this strange, liminal zone between land and sea.” (Zoe Lescaze) The artist himself will further illuminate his creative process and the ethos behind "Sink / Rise" during a speaking engagement at The Community Library in Ketchum, ID, on July 11.
Sink/Rise continues photographer Nick Brandt’s series “The Day May Break” which eloquently captures communities who are affected by environmental destruction. The local people in these photos, photographed underwater off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. “Although they are several meters below the surface, the subjects of Brandt’s mesmerizing photographs do not float or swim. Incredibly, they sit on sofas, stand on chairs, use seesaws, and pose in ways they might on land. The effect is otherworldly, as though the familiar laws of physics have stalled in this strange, liminal zone between land and sea.” (Zoe Lescaze) The artist himself will further illuminate his creative process and the ethos behind "Sink / Rise" during a speaking engagement at The Community Library in Ketchum, ID, on July 11.
Sink/Rise continues photographer Nick Brandt’s series “The Day May Break” which eloquently captures communities who are affected by environmental destruction. The local people in these photos, photographed underwater off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. “Although they are several meters below the surface, the subjects of Brandt’s mesmerizing photographs do not float or swim. Incredibly, they sit on sofas, stand on chairs, use seesaws, and pose in ways they might on land. The effect is otherworldly, as though the familiar laws of physics have stalled in this strange, liminal zone between land and sea.” (Zoe Lescaze) The artist himself will further illuminate his creative process and the ethos behind "Sink / Rise" during a speaking engagement at The Community Library in Ketchum, ID, on July 11.
Sink/Rise continues photographer Nick Brandt’s series “The Day May Break” which eloquently captures communities who are affected by environmental destruction. The local people in these photos, photographed underwater off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. “Although they are several meters below the surface, the subjects of Brandt’s mesmerizing photographs do not float or swim. Incredibly, they sit on sofas, stand on chairs, use seesaws, and pose in ways they might on land. The effect is otherworldly, as though the familiar laws of physics have stalled in this strange, liminal zone between land and sea.” (Zoe Lescaze) The artist himself will further illuminate his creative process and the ethos behind "Sink / Rise" during a speaking engagement at The Community Library in Ketchum, ID, on July 11.
Sink/Rise continues photographer Nick Brandt’s series “The Day May Break” which eloquently captures communities who are affected by environmental destruction. The local people in these photos, photographed underwater off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. “Although they are several meters below the surface, the subjects of Brandt’s mesmerizing photographs do not float or swim. Incredibly, they sit on sofas, stand on chairs, use seesaws, and pose in ways they might on land. The effect is otherworldly, as though the familiar laws of physics have stalled in this strange, liminal zone between land and sea.” (Zoe Lescaze) The artist himself will further illuminate his creative process and the ethos behind "Sink / Rise" during a speaking engagement at The Community Library in Ketchum, ID, on July 11.
Sink/Rise continues photographer Nick Brandt’s series “The Day May Break” which eloquently captures communities who are affected by environmental destruction. The local people in these photos, photographed underwater off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. “Although they are several meters below the surface, the subjects of Brandt’s mesmerizing photographs do not float or swim. Incredibly, they sit on sofas, stand on chairs, use seesaws, and pose in ways they might on land. The effect is otherworldly, as though the familiar laws of physics have stalled in this strange, liminal zone between land and sea.” (Zoe Lescaze) The artist himself will further illuminate his creative process and the ethos behind "Sink / Rise" during a speaking engagement at The Community Library in Ketchum, ID, on July 11.
Sink/Rise continues photographer Nick Brandt’s series “The Day May Break” which eloquently captures communities who are affected by environmental destruction. The local people in these photos, photographed underwater off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. “Although they are several meters below the surface, the subjects of Brandt’s mesmerizing photographs do not float or swim. Incredibly, they sit on sofas, stand on chairs, use seesaws, and pose in ways they might on land. The effect is otherworldly, as though the familiar laws of physics have stalled in this strange, liminal zone between land and sea.” (Zoe Lescaze) The artist himself will further illuminate his creative process and the ethos behind "Sink / Rise" during a speaking engagement at The Community Library in Ketchum, ID, on July 11.
