Paul Béliveau’s Morandi is inspired by the often pastel-toned works of Italian painter Giorgio Morandi. While Béliveau has treated book spines as subject matter before, in the Morandi series the books themselves, rather than the text that decorates their covers, are treated as the aesthetic quality. Outside reference to author, subject, and image is missing and instead, Béliveau revels in the shape and volume of the books responding and building upon each other as a methodical convergence of color and form.