OCHI is pleased to present Polychromic, a solo exhibition of new paintings by Los Angeles-based artist Caitlin Lonegan. This is the artist’s first solo exhibition with the gallery. Polychromic will be on view at OCHI Sun Valley, located at 119 Lewis Street in Ketchum, Idaho. An artist’s reception will be held on Saturday, July 8th from 5:00 to 7:00 PM.
OCHI is pleased to present Out Here, a solo exhibition of new paintings by Brooklyn-based artist Cooper Cox. This is the artist’s first solo exhibition with the gallery. Out Here will be on view at OCHI Sun Valley, located at 119 Lewis Street in Ketchum, Idaho from December 15, 2023 to February 24, 2024. An Artist’s Reception will be held on Thursday, December 28th from 4:00 to 7:00 PM MST. From a young age, Cooper Cox harbored a fascination with trees, often sketching them in the margins of his schoolbooks. Allured by their elegant forms and endurance, as well as by their symbiotic relationships with neighboring organisms, Cox’s newest paintings feature snags—large, coniferous, upright trees that appear lifeless but serve as essential habitats for wildlife long after losing their leaves and flowers. Like the first line in a charcoal drawing, snags appear exposed, revealing the history of their growth as slow, incremental adjustments rather than sudden change. Snags symbolize strength and adaptability—having survived shifting climates and human interventions, Cox’s snags can occasionally bloom soulful blossoms that reflect the emotional and physical changes of senescence. Physically immersed in each stage of the painting process, Cox begins by pushing paint across the ...
OCHI is pleased to present Silent Spines, a two-person exhibition of new work by Los Angeles-based artists Rives Granade & Vincent Pocsik. This is Granade’s fifth presentation with the gallery and Pocsik’s first. Silent Spines will be on view at OCHI, located at 119 Lewis Street in Ketchum, Idaho through July 6, 2024. We will host a reception on June 22nd, 2024 from 5:00 - 7:00 PM. Silent Spines pairs Rives Granade’s abstract paintings and Vincent Pocsik’s anthropomorphic lamp sculptures to complement one another as they push conventional boundaries in their respective mediums – Granade in an exploration of consciousness and Pocsik via his innovative approach to form. Both artists take an imaginative approach to their work to present a corporeal language of unusual curves, shapes, and textures. Rives Granade’s resolute expression of the interior world pushes back against modernist isolation; his paintings exist as repositories for thoughts, reminders, schedules, and snippets of biography and bibliography. Much like the ancient paintings in the Lascaux Caves and the graffiti etched into the Temple of Poseidon, Granade employs a variety of techniques to document time, layering, echoing, and affirming his own presence in the world. Embracing visions, thoughts, yearnings, recollections, and reveries—a ...
OCHI is pleased to present Sonnets, a solo exhibition of new paintings by New York-based artist Andy Mister. This is Mister’s debut solo presentation at the gallery. Sonnets will be on view at OCHI, located at 119 Lewis Street in Ketchum, Idaho from July 13 through August 17, 2024. Andy Mister’s paintings of cut flowers in water-filled vessels merge the ephemerality of traditional drawing techniques with the physicality of painting. Mister’s paintings are intimate, both small in stature and also offering insight into the personal nature of the work—Mister recently moved with his wife and their two young children to a town near the Susquehanna River in upstate New York, a change of pace from city life. Immersed in the outdoors, Mister watches his children navigate the natural world with curiosity and joy. While previous paintings relied on found imagery, the paintings in Sonnets are all based on real flower arrangements made by all members of the Mister family. The artist’s kids choose flowers at the local farmer’s market and place them around the house in whatever vessel they can find—a jam jar used for turpentine, a glass left behind, or a small vase bought secondhand. Nodding to the late ...
OCHI is pleased to present 'And we are green, greener than the hill, where flowers grow and the sun shines still,' a solo exhibition of new paintings by Montana-based artist James Chronister. This marks Chronister’s debut solo presentation with the gallery. The exhibition will be on view at OCHI, located at 119 Lewis Street in Ketchum, Idaho from July 13 through August 17, 2024. An Artist’s Reception will be held on Saturday, July 13th from 5:00 – 7:00 PM MDT. And we are green, greener than the hill, where flowers grow and the sun shines still features James Chronister’s deeply intricate, monochromatic landscape paintings. Composing straight on images of dense winter forests, close ups of individual leaves, and aerial images of flora, Chronister begins his process by photographing the environment surrounding his home in Missoula, Montana. After digitally distorting contrast, focus, and tones, Chronister moves from computer to canvas where minuscule individual marks reveal scrupulous technical application. Onto a white or carefully hued off-white background, Chronister meticulously recreates source photographs by repeatedly applying, shaping, and erasing black oil paint. Precise dry brushing and stippling techniques achieve texture, depth, and refinements of form. As painter Jake Longstreth remarks, “Chronister achieves a ...
OCHI is pleased to present And we are green, greener than the hill, where flowers grow and the sun shines still, a solo exhibition of new paintings by Montana-based artist James Chronister. This marks Chronister’s debut solo presentation with the gallery. The exhibition will be on view at OCHI, located at 119 Lewis Street in Ketchum, Idaho from July 13 through August 17, 2024. And we are green, greener than the hill, where flowers grow and the sun shines still features James Chronister’s deeply intricate, monochromatic landscape paintings. Composing straight on images of dense winter forests, close ups of individual leaves, and aerial images of flora, Chronister begins his process by photographing the environment surrounding his home in Missoula, Montana. After digitally distorting contrast, focus, and tones, Chronister moves from computer to canvas where minuscule individual marks reveal scrupulous technical application. Onto a white or carefully hued off-white background, Chronister meticulously recreates source photographs by repeatedly applying, shaping, and erasing black oil paint. Precise dry brushing and stippling techniques achieve texture, depth, and refinements of form. As painter Jake Longstreth remarks, “Chronister achieves a startling range of tonality and depth. Viewed up-close, the paintings are constructed by a series of ...
