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DTSTAMP:20260812T223337Z
DTSTART;TZID=America/Boise:20260821T110000
DTEND;TZID=America/Boise:20261010T170000
SUMMARY:Devin Farrand: Into the Weeds
DESCRIPTION:OCHI is pleased to present Into the Weeds\, an exhibition of ne
 w work by Idaho and Los Angeles-based artist Devin Farrand. The exhibition 
 marks the culmination of Farrand's residency with The Community Library at 
 the historic Ernest and Mary Hemingway House and Preserve in August 2025 an
 d represents a unique artist intervention at the National Register of Histo
 ric Places property. Into the Weeds will be on view at OCHI\, 119 Lewis Str
 eet in Ketchum\, Idaho\, from August 21 through October 10\, 2026\, followi
 ng the presentation of the work throughout Hemingway's historic residence.\
 \n\\nPurchased by Ernest Hemingway in 1959\, the mid-century modern house o
 verlooking the Big Wood River has long served as a place of creative produc
 tion.Since the Library became the owner of the property\, the site has beco
 me home to a distinguished writer-in-residence program\, extending the site
 's legacy as a space where art and place remain deeply intertwined. Respond
 ing to both the house and its surrounding 13.9-acre preserve\, Farrand crea
 ted a body of work that enters into direct dialogue with the landscape\, ar
 chitecture\, and literary history of the site.\\n\\nFarrand divides his tim
 e between a cabin in Idaho's Pioneer Mountains and a warehouse studio in Lo
 s Angeles. The Hemingway House offered an unusually charged site for integr
 ating these disparate locations. During his residency\, Farrand challenged 
 himself to capture the place he was immersed in through the fewest possible
  gestures of color and mark. The resulting watercolors appear framed in sta
 ined maple and anodized aluminum—quiet\, observational\, and scaled to th
 e hand.\\n\\nReturning to Los Angeles\, Farrand expanded these observations
  into sculpture. Drawing particularly from the opening and closing passages
  of Hemingway’s Across the River and Into the Trees\, the works translate
  and materialize Hemingway’s language. A field of anodized aluminum rods 
 rises from the ground in tall\, grass-like forms that flicker and shift\, r
 eferencing the fog-bound duck-hunting sequence in the novel. A low-lying\, 
 bench-like sculpture in extruded aluminum and plated steel stretches across
  the site\, its stacked surface evoking a horizon line\, constant and alway
 s retreating.\\n\\nAcross watercolor\, ceramic\, metal\, and marble\, Into 
 the Weeds proposes translation as its central gesture. Hemingway compressed
  experience into language\; Farrand translates it into material. In doing s
 o\, the exhibition offers a quiet meditation on observation\, restraint\, a
 nd the enduring relationship between landscape\, memory\, and making.
URL:https://visitsunvalley.com/events/devin-farrand-into-the-weeds/
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